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All is a 2011 Iranian film directed by Mani Haghighi. The movie is set in Tehran and revolves around the life of a blacklisted director, Kherand, who is struggling to find work due to his controversial past. The story is narrated by Kherand himself, who tries to come to with his failures while trying to repair his relationships with his family and friends. 2f234v

The film begins with a conversation between Kherand and his friend and former actor, Jafari. Jafari tries to convince Kherand to direct a play for him, but Kherand refuses, citing lack of work and his desperate need for money. Jafari finally manages to persuade Kherand to work on a documentary film about the life of a serial killer who has been captured by the police.

The movie's first half is devoted to Kherand's life at home. He is married to Fariba, who is a painter, and they have a son named Iman. Kherand's relationship with his wife is strained, and she is constantly complaining about his emotional distance from her. Meanwhile, Kherand's relationship with his son is strained as well, as Iman is more interested in playing video games than in spending time with his father.

However, Kherand's life takes a dramatic turn when he begins to work on the documentary with Jafari. The film's subject, the serial killer named Seyed, is a charismatic and outspoken individual who manages to charm Kherand and Jafari. They become more and more drawn into Seyed's world, even as they try to maintain their professional distance.

The second half of the movie is devoted to the making of the documentary. Kherand and his crew film Seyed's daily life, including his interactions with his prison guards and fellow inmates. However, things take a darker turn when Seyed's court appeal is denied, and he is scheduled to be executed. Kherand and Jafari begin to question whether they should continue working on the documentary, as they do not want to be seen as exploitative.

The movie's final scenes are an emotional climax, as Kherand tries to deal with his conflicted feelings about Seyed's execution. He also tries to reconnect with his wife and son, realizing that his obsession with the documentary has harmed his family relationships. The movie concludes with Kherand filming a final shot of Iman, implying a sense of closure and redemption.

All is a thought-provoking and emotionally nuanced film that explores the themes of family, guilt, and artistic integrity. The film's pacing is deliberate and measured, allowing the audience to fully immerse themselves in Kherand's world. The performances by the cast are excellent, particularly the lead actor, who conveys Kherand's complex emotions with skill and subtlety.

Overall, All is a powerful and thought-provoking film that is well worth watching. It is a testament to Mani Haghighi's skill as a director that he manages to seamlessly blend elements of drama, documentary, and social commentary into a cohesive whole. The movie is a poignant exploration of what it means to be an artist in a society that values conformity, and how difficult it can be to navigate the tension between art and ethics.